Posted by leighann
| March 26th, 2013 | Filed under Personal Reflection
, Who We Are
Alvord Desert Hot Springs
Last Friday, around 2pm, Mark, our GM disappeared. It was shortly after consuming a pomegranite margarita (no salt) and a taco platter. Of course, this is not unusual. Mark has been known to mysteriously vanish only to suddenly reappear days later with a grin and a suntan. This time, he resurfaced on a Monday morning smelling of sulpher and parched earth, surely evidence of a desert escapade. But he was gracious enough to write us a virtual postcard so we wouldn’t have to rely on an Edward Abbey quote to complement these few captured moments.
The desert is a diaspora for the displaced, a refuge from our hyper-saturated social scene, attracting the margins of society— mystics and malcontents, desperadoes and drug runners, rednecks and ranchers, artists and anarchists.
It’s an environment that expands our visual and perceptual horizons. —Mark
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Posted by Bryanna
| March 11th, 2013 | Filed under Art
Here at Nau we’ve developed a minor obsession with Instagram, the online photo-sharing service. What we love about it: sharing our daily adventures; and following some of our favorite photographers influencers, and everyday friends who have a phone and an excellent eye.
We figured we would spread the love and share our favorite Instagrammers. From urban ballerinas to traveling musicians, we are thoroughly entertained and often obsessed with checking our phones.
@ben_moon – Ben is a photographer based here Portland who has helped us on numerous shoots, including some of our Spring 13 location photography. His adventurous spirit shines through in the photos of all the places his work takes him.
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Posted by Guest
| March 1st, 2013 | Filed under Art
(Nested) Flotsam Fiber Form (photo: Abigail Doan)
This week in the Thought Kitchen, environmental fiber artist, writer, and Nau ambassador Abigail Doan shares her unique perspective on the intersection of natural fibers, culture, sustainability, and the beauty of art in the everyday landscape.
Performance fabrics and fiber have had a long love affair. The earliest Paleolithic string skirts were essentially mini-aprons with seductive fringes of twined fiber strands that served as fashion. We now rely on both engineered and natural fibers to keep us ventilated and warm when we venture out for work and play, and the thoughtful crafting of our personal garments continues to demonstrate what makes us attractive and uniquely human.
This is why I chose fiber as an art medium and vehicle for expression. Even though I had previously worked in documentary film and explored a range of more traditional studio methods, I ultimately opted to work with fiber and textiles because of their versatile nature and the low-impact/non-toxic possibilities. As an environmental artist, I am an advocate for slow crafting methods, the advancement of sustainable design strategies, and the preservation of wide open spaces. I use simple strands of spun or delicately crocheted fiber to draw on the land for site-specific installations that are carefully deconstructed after documentation.
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